1.
Analyze Page 1: Felix Mendelssohn
Lieder ohne Worte
op.62 n.3
(Song without Words n. 27 from pdf below:
Write your analysis on the pdf in a manner
similar to the examples from class notes
1-4. Clearly mark any and all motives,
techniques employed to expand those motives,
phrases, semi-phrases and periods. )
2. Write an Antecedent phrase for Clarinet with at least one
motive that contains a retrograde or mirror inversion
Make sure you clearly define your semi-cadence.
3. Write a contrasting consequent
phrase to #2 above for Oboe. Make sure
you clearly define your final cadence.
4. Write a modified parallel
consequent phrase to #2 above also for Oboe. Make sure
you clearly define your final cadence.
5. Combine 2 with 3 or 4 above
and write a Parallel Double Period. Make sure
you clearly define your cadences.
If you choose to have an accompaniment for 2,3,4 and 5 above, it can be for strings, or piano or guitar.
Create a pdf of the above 2-5
and an mp3 of the same and email it to hmu310@gmail.com
