Name of String Articulations	Name of Wind Articulations Best Inst & Reason	Name of Brass Articulation Best Inst & Reason	Graphic Marking
Legato bowing	Slurred (not tongued) Best = All	Slurred (not tongued) Best = All
Detache bowing	Tongued: Default way to articulate notes if no marking is present.   Best = All	Tongued: Default way to articulate notes if no marking is present.   Best = All
Staccato bowing	Staccato:  Shorter articulation of note than normal.  Best = All	Staccato:  Shorter articulation of note than normal.  Best = All
Spiccato Bowing	Spiccato.  Even Shorter than Staccato.  May be interpreted with a slight accent by some players. Best = All	Spiccato.  Even Shorter than Staccato.  May be interpreted with a slight accent by some players. Best = All
Portato	Sometimes known as "soft tonguing", "legato tonguing" or "Portato"  Best = all Winds	Sometimes known as "soft tonguing", "legato tonguing" or "Portato"  Best = all brass. Particularly effective in the brass which naturally seperate notes more than others.	May also appear as slurred staccato
Con Sordino	Con Sordino Best = Bassoon or Clarinet w/windscreen.  Solid mutes will completely close bore and prevent the lowest note from sounding.   Unusual but available by using something to cover bell or opening of tube. Also Subtone in Clarinet for extremely soft dynamic PPPP	Con Sordino Including the following: Harmon, Straight, Bucket, Plunger, Cup, Solotone, Best = Trumpet or Tombone. Horns can do hand stops or straight mutes. Tuba mute is unweildy	Text Marking: "Con Sordino" Add mute type for brass to text marking Negate Marking: "Ord" or Normale" For Subtone in Clarinet write "Subtone" or 4 or more PPPPP
Jete and Saltando (spontaneous Spicc)	Double and Triple Tongue Best = Flute = Nothing in the mouth.	Double and Triple Tongue Best = All = Nothing in the mouth.	Strings Text Marking: "Jete" Negate Marking: "Ord" or Normale" At times, No Marking is necessary will be executed upon players discretion
Trills	Trills Best = All	Trills Best = Trumpet for standard trill. Available on Horn but sardonic. Lip trill available in upper registers on all but less convincing in its undulation.
Bowed Tremolo	Flutter Tongue Best = Flute = Nothing in the mouth.	Flutter Tongue Best = All = Nothing in the mouth.
Measured Tremolo	Timbral Trills or double or triple tongue Best = Flute = Nothing in the mouth.	Timbral Trills or double or triple tongue Best = All = Nothing in the mouth.
Fingered Tremolo	Tremolos Best = Clarinet = allow most combination of interval.  Intervals >P4 should consult fingering chart.	Tremolos Best = trumpets. Very difficult in Trombones. Lip tremolo ("shake") at certain intervals available in upper registers on all but less convincing in its undulation.
Harmonics	Harmonics Best = Flute = natural manner of producing first 1+1/2 octaves. Easily executed. Note Harmonics begin at the 3rd Partial	Cuivre Best = French Horns= Extreme overblow creates a disturbance in the airflow.
Bowed Glissandi	Glissandi Best = Clarinet = Open holes allow player to slide finger	Glissandi Best = Trombone = Natural mechanism of the instrument is a continuous slide. Be mindful of the interval restriction.
Fingered Glissandi	Glissandi Note: This is not a slide glissandi rather the player quickly runs through the chromatic scale. Best=all	Glissandi Note: This is not a slide glissandi rather the player quickly runs through the chromatic scale. Best=all
Pizzicato	Staccato or "slap tongue" Best = flute or clarinet = bigger single reed or no reed.	Staccato Best = all Also hand slap on tuba mouthpiece is effective.	Text Marking: "Slap Tongue" Text Marking: "Pizz"(strings only) Graphic Marking see Staccato Negate Marking: "Ord" or Normale"
Sul Tasto, Sul Pont	Sub Tones, Hoots, Whistle Tones other extended techniques	Not as many extended techniques in brass. Some include "Wah Wah" , Molto Vibrato	Text Marking
quarter and micro tones	quarter and micro tones	half valve microtone gliss and embochure bends.