Andy Brick, composer, conductor, symphonist


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01/16/06


HMU 398A Orchestration II

HMU 398A Orchestration II
Instructor: Brick A
11558 Credits: 3.00 - 3.00
Session: Normal Academic Term 01/16/2007-05/16/2007

T 06:15PM 08:45PM Morton 201

Prerequisite(s):
HMU397 or Permission of Instructor


This is part two of a two semester sequence Whereas Orchestration I
explored the mechanical aspects of the orchestra and presented the physical and technical
boundaries of each instrument contained therein, Orchestration II explores the aesthetic principals
engaged when writing for this most unique subject. In addition to completing the Adler text,
students will spend significant time in the Mac Lab realizing their orchestrations of the standard
literature from Mozart to Penderecki. To this extent, we will use the new interactive edition of the
classic Principles of Orchestration by one of history’s greatest orchestrator’s Rimsky Korsakov.

Online Text: PRINCIPLES OF ORCHESTRATION
by Rimsky-Korsakov

Text: The Study Of Orchestration
Third Edition
Samuel Adler

Workbook for The Study of Orchestration

Optional: Six Enhanced Multimedia Compact Discs for The Study of Orchestration Available for Checkout

Lab Material: Garritan Personal Orchestra, Notation and/or Sequencer software will be installed on each students personal Laptop. PLEASE NOTE: You must return the authorization of this software at the end of the semester.

 

All Homework MUST be written in Finale or Sibelius, or hand written. If you write it by hand you will need to scan it. All written assignments must be submitted as PDF files. Once you have submitted your written assignment, you will sequence that orchestration using Garritan and submitt the mp3 of that sequence by the following class.

All files should be submitted via email to: orchestration2@gmail.com

Click here for lab scheule

Click here for manuscript paper
For Historical Perspective of materials presented in this class Click Here

Syllabus
Class Designation Text Requirement
Supporting Materials
01/16/2007 T 1

Introduction to the Principles of the Orchestra
Assignment: Orchestrate Ravel 1
Optional Rimsky Korsakov: Unit 1 & 2 as review of Orch 1.

01/30/2007 2 In class group critique Ravel 1
Lecture: Orchestrating a Melody or Primary Gesture
Lecture: 8 Determinants of Planes of Tone
Text: Rimsky Korsakov: Unit 3&4 Melody in Strings

Assignment Realize Ravel 1
02/13/07 3

In class presentation of Ravel 1
Lecture: Creating a piano reduction of an orchestral score
Text: Rimsky Korsakov:Unit 5 Melody in Strings cont.
Text: Rimsky Korsakov:Unit 6&7 Melody in Woodwinds
Assignment Create Piano reduction bars 1-60 Rimsky Korsakov's Scheherazade

2/27/07 4

Lecture Piano reduction bars 1-60 Rimsky Korsakov's Scheherazade
Text: Rimsky Korsakov:Unit 6&7 Melody in Woodwinds

Assignment: Orchestrate Part 1 T5pno or
Assignment: Orchestrate Ravel 2

Professor will determine assignment.


  5

In class group critique Ravel 2 or
In class group critique T5pno part 1

Lecture: Orchestrational techniques
split 16ths, implied sustains
call and answer across registers,
Color Variations of monotonous repeats
identifying solos, compound structural units

Text: Rimsky Korsakov:Unit 6&7 Melody in Woodwinds

Assignment: Realize Part 1 T5pno or
Assignment: Realize Ravel 2

  6 In class Present Ravel 2 or
In class Present T5pno part 1
Lecture: Orchestrational techniques
Dyamics: intrumental compensation vs. amplitude
Creating effective orchestral crescendi and diminuendi
Instrumental balances: Orchestral table of weights

Assignment: Orchestrate Part 2 T5pno or
Assignment: Octet reduction.pdf

Professor will determine assignment.
  7

In class group critique T5pno part 2

Lecture: Using the Orchestra for Special Effects.

Text: Rimsky Korsakov: Unit 8
MELODY - Brass - Melody, Unisons & Octaves

Assignment: Realize Part 2 T5pno

  8 In class Present T5pno part 2

Lecture: Analyze Tschaikovsky 5th Symphony score vs. Piano reduction part 1 & 2

Lecture: Creating an environment:
What to do when there simply isnt much on the page: Analysis of Stars Come out in the Sky
or Freedom & Flight

Text: Rimsky Korsakov:Unit 9&10
MELODY - Different Groups Combined.

Assignment: Orchestrate bars 1-121 Ravel "Little Ugly"

    Spring Break  
  9

In class group critique Realization of Freedom and Flight.

 

Assignment: Creating an environment: The single note Orchestration.

 
  10 Density in orchestration and the distribution of voices with harmony.
Melody and Harmony in the Brass: Unisons, Octaves, 3rds and 6ths
Problematic Issues in The Sunken Cathedral

Assignment: Debussy: The Sunken Cathedral part 1 to page 40 "un peu moins lent"

PRINCIPLES OF ORCHESTRATION 10

PRINCIPLES OF ORCHESTRATION 11

HMU398_notes_10.html

YouTube Video of The Sunken Cathedral
sunkencathedral.pdf

  11

In class group critique: Debussy: The Sunken Cathedral part 1 to page 40 "un peu moins lent"

Lecture:

Problematic Issues in The Sunken Cathedral Pt 2

Mixed Colors and Textures in the Orchestra.

Preparation of Final Book and CD

Assignment: Debussy: The Sunken Cathedral part 2 to End

PRINCIPLES OF ORCHESTRATION 10

PRINCIPLES OF ORCHESTRATION 11

HMU398_notes_10.html

YouTube Video of The Sunken Cathedral
sunkencathedral.pdf

  12 In class group critique "Little Ugly" bars 1-121

Lecture: Analyze Tschaikovsky 5th Symphony score vs. Piano reduction part 2


Assignment: Realize Part "Little Ugly" bars 1-121
   
Final Book

- Formatting instructions in notes

Due last day of class