Audio - Andy Brick, composer, conductor, symphonist

01/16/06

HMU 302A Music Theory 2

HMU 302A Music Theory II
Call #: Instructor: Brick A
11556 Credits: 3.00 - 3.00
Session: Normal Academic Term 01/16/-05/16/

DAY BEGINS ENDS BUILDING ROOM

This section is offered at: Hoboken Campus

Prerequisite(s): HMU 201

This is part two of a four semester sequence. In general, in the first two years, students are introduced to the basic technical materials of their art. They learn to read in the various clefs; they acquire the ability to identify by ear the specific rhythmic, melodic, and harmonic events occurring in music of relative simplicity; they master the fundamental concepts of harmony and counterpoint; and they become acquainted with principles of musical form

Textbooks: (Same for Theory IA-IIB)
Harmony and Voice Leading , Edward Aldwell & Carl Schachter
Workbook for Harmony and Voice Leading
Students are advised to purchase the option CD set for the above text.

Optional Text:
Rhythmical Articulation (A Complete Method) Pasquale Bona
Visual Solfeg: A Systematic Visual Practice Method for Attaining Skill in the Use of Solfeg Syllables for Sight Reading and Ear Training

Click here for lab scheule

Click here for manuscript paper

Flash Based Rhytmic Trainer -----Web Based Rhythm Generator

Flash Based Key Trainer

Flash Based Interval Trainer (Treble) (Alto) (Bass) ----- Web Based Interval Trainer

Web Based Sight Singing Generator

Week of:	Class Designation	Text Requirement	Supporting Materials
01/16/	1	H&VL Pgs 158-170 General Review of Theory IA VI and IV6 Uses of VI Uses of IV6 Auralia - Ear Training and Aural Skills	theory2_notes_01.html SS06
01/23/	2	H&VL Pgs 171-190 Supertonic Seventh Chords Intro to 2nd Species Counterpoint Auralia - Ear Training and Aural Skills	theory2_notes_02.html Second Species Counterpoint
01/30/	3	H&VL Pgs 191-206 Other Uses of IV, IV6 and VI Summary of Cadences Exercises in 2nd Species Counterpoint Auralia - Ear Training and Aural Skills	theory2_notes_03.html Second Species Counterpoint
02/06/	4	In Class Quiz + Auralia at home Quiz "Stevens Aural Skills 2 Quiz 1"
02/13/	5	H&VL Pgs 207-225 V as a key area Tonicization and Modulation Applications to written work Auralia - Ear Training and Aural Skills	theory2_notes_04.html Second Species Counterpoint
02/20/	6	H&VL Pgs 207-225 V as a key area Tonicization and Modulation Applications to written work Exercises in 2nd Species Counterpoint Auralia - Ear Training and Aural Skills	theory2_notes_04.html Second Species Counterpoint
2/27/	7	H&VL Pgs 226-246 III and VII Exercises in 2nd Species Counterpoint Auralia - Ear Training and Aural Skills	theory2_notes_05.html Second Species Counterpoint
03/06/	8	Midterm Review
3/10/	9	MIDTERM & Auralia at home Quiz "Stevens Aural Skills 2 Quiz 2"	theory2_midterm.pdf
		SPRING BREAK
3/20/	10	H&VL Pgs 247-261 5-3 Chord Technique 3rd Species Counterpoint Auralia - Ear Training and Aural Skills	theory2_notes_06.html Third Species Counterpoint
3/27/	11	Midterm Analysis - Special Cases Auralia - Ear Training and Aural Skills
4/03/	12	H&VL Pgs 262-289 Diatonic Sequences 3rd Species Counterpoint Auralia - Ear Training and Aural Skills	theory2_notes_07.html Third Species Counterpoint
4/10/	13	H&VL Pgs 262-289 Diatonic Sequences Cont. 3rd Species Counterpoint Auralia - Ear Training and Aural Skills	theory2_notes_07.html Third Species Counterpoint
4/13/	14	Auralia at home Quiz "Stevens Aural Skills 2 Quiz 3" _________________ Diatonic Sequences Cont. 3rd Species Counterpoint	theory2_notes_07.html Third Species Counterpoint
4/17/	15	Quiz 5-3 Chord Technique, Diatonic Sequences & 3rd species C.P. _________________ H&VL Pgs 290-304 6-3 Chord Techniques 3rd Species Counterpoint Auralia - Ear Training and Aural Skills	theory2_notes_08.html
4/24/		H&VL Pgs 305 6-4 Chord Techniques 3rd Species Counterpoint Auralia - Ear Training and Aural Skills	theory2_notes_09.html
5/01/	9a	Final Exam Concepts Auralia at home Quiz "Stevens Aural Skills 2 Quiz 4"
		FINAL EXAM:	theory2_final.pdf theory2_final_graph.pdf