| 1 |
All |
Does it fit in the Hand? |
Easy Piano Reduction 3 adjacent 8vas |
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| 3 |
Celli |
Why Trill? |
Just a coloration note no basson trill |
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| 4 |
Vlns |
Why dropped |
Can play the range |
Do you drop the F# in the piano. Is it an Echo? |
| 8 |
Flt & Clar |
Notice outter voices |
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| 10 |
Bsn |
Why so high? |
Maintains color of winds and allows the register to expand and texture to get fuller without a dramatic change in color |
Notice the voicing becomes more standard with entrance of Horn. |
| 14 |
Harp |
How do we voice it so its playable by a human |
its a complete chord. Give the root, 5th, 10th |
Notice the E, F# G movement. |
| 18 |
All |
This is impossible to play if we litterally transcribe it for piano. What are the strategies |
1. Need the undulation so that covers LH
2. All sustains can be covered with piano pedal on Vc.
3. Single Vln Melody in RH |
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| 24 |
Vlns |
Is Pizz significant? |
1. Its a textural issue. A single downbeat open B chord in the RH will serve. |
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| 25-30 |
all |
Similar procedure as 18-24 |
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| 30 |
Vla |
Should we catch the divisi |
At least the Lower C# if not both |
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| 30 |
Bass |
How do we deal with the whole note bass |
It follows the the first note of the Vc at pitch. Use the Sos or Sus pedal |
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| 36-41 |
Bass |
here the Bass breaks from the Celli |
best to follow the celli with the pedal the Ab is brought out on beat 6 |
This brings up the derivation of a counter line from the arp. |
| 42 |
Vlns, winds |
How to handle voicing? Which ocatve |
Staccato allows upper register because it need not sustain. Ear fills in the middle. |
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| 44 |
Winds Brass |
How to handle voicing? Which Octave |
Maybe lower. Brass are very strong and winds are coloring.? |
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